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Jewish humor dates back to the compilation of Talmud and Midrash. Humor in the Talmud and Midrash In the Jewish community of the Holy Roman Empire, theological satire was a traditional way to clandestinely express opposition to Christianization.
During the nineteenth century, modern Jewish humor emerged among German-speaking Jewish proponents of the Haskalah (Jewish Enlightenment), it matured in the of the Russian Empire, and then, it flourished in twentieth-century America, arriving with the millions of Jews who emigrated from Eastern Europe between the 1880s and the early 1920s. Beginning on vaudeville and continuing on radio, stand-up, film, and television, a disproportionately high percentage of American comedians have been Jewish.While numbers are inevitably fuzzy, Paul Chance, reviewing Lawrence Epstein's The Haunted Smile: The Story of Jewish Comedians in America ( Psychology Today, Jan-Feb, 2002) wrote, "While Jews make up only about 3 percent of the U.S. population, 80 percent of professional comics are Jewish." Accessed online 25 March 2007. Comedian Mark Schiff, reviewing the same book on Jewlarious.com , writes, "Most of the comedians that made us all laugh in the 1950s, '60s and '70s were Jewish." Similarly, Drew Friedman (author of Old Jewish Comedians), in a March 22, 2007 interview on Fridays with Mr. Media : "Somebody said, 'You could do an Old Protestant Comedian book,' and I said, 'Well, that would be a pamphlet, wouldn't it?'" Time estimated in 1978 that 80 percent of professional American comics were Jewish.
Jewish humor is diverse, but most frequently, it consists of wordplay, irony, and satire, and the themes of it are highly anti-authoritarian, mocking religious and secular life alike. Sigmund Freud considered Jewish humor unique in that its humor is primarily derived from mocking the in-group (Jews) rather than the "other". However, rather than simply being Self-deprecation, it also contains an element of self-praise.
A Sephardic tradition is centered on a Nasreddin-derived folk character who is known as Djoha.Fazıla Derya AGİŞ, Judeo-Spanish and Turkish Proverbs and Idioms with Djoha and HodjaNasrettin: Questioning Wittiness via Conceptual Metaphors
A more recent tradition which originated in the Jewish communities of Eastern Europe is an egalitarian tradition in which the powerful were frequently mocked subtly, rather than attacked overtly—as Saul Bellow once put it, "Oppressed people tend to be witty." Jesters known as used to poke fun at prominent members of the community during weddings, creating a good-natured tradition of humor as a levelling device. Rabbi Moshe Waldoks, a scholar of Jewish humor, argued:
After Jews began to migrate to America in large numbers, they, like other minority groups, found it difficult to gain mainstream acceptance and obtain social mobility. The development of the entertainment industry, combined with the tradition of Jewish humor, provided a potential route where Jews could succeed. One of the first successful radio "", The Goldbergs, featured a Jewish family. As radio and television matured, many of its most famous comedians, including Eddie Cantor, Jack Benny, George Burns, Henny Youngman, Milton Berle, Jack Carter, Sid Caesar, Jerry Lewis, and Joan Rivers, were Jewish. The Jewish comedy tradition continues today, with Jewish humor much entwined with mainstream humor, as comedies like Seinfeld, Curb Your Enthusiasm, and Woody Allen films indicate.. The series Difficult People, starring Jewish comedians Julie Klausner and Billy Eichner, incorporates elements of Jewish humor, as does Emma Seligman’s 2020 film Shiva Baby.
In his essay, Jokes and their Relation to the Unconscious, Sigmund Freud analyzes the nature of Jewish jokes, among other things.
The part left out is the fact that it was traditional to go to services, regardless of what one believed, and the rabbi was merely following that tradition. This is like the story of the boy who tells his rabbi he can't Jewish prayer (pray), because he no longer believes in God. The rabbi merely tells him, "Yes God, no God: doesn't matter! Three times a day, you DAVEN!"
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Many of these stories have become well-known thanks to storytellers and writers such as Isaac Bashevis Singer, a Nobel Prize-winning Jewish writer in the Yiddish language, who wrote The Fools of Chełm and Their History (published in English translation in 1973), and the great Soviet Yiddish poet who wrote stories in verse. The latter achieved great popularity in the Soviet Union in Russian and Ukrainian translations, and were made into several animated films.
Other notable adaptations of folklore Chełm stories into the mainstream culture are the comedy Chelmer Chachomim ("The Wise Men of Chelm") by Aaron Zeitlin, The Heroes of Chelm (1942) by Solomon Simon, published in English translation as The Wise Men of Helm (Solomon Simon, 1945) and More Wise Men of Helm (Solomon Simon, 1965), and the book Chelmer Chachomim by Y. Y. Trunk. The animated short film comedy Village of Idiots also recounts Chełm tales.
Allen Mandelbaum's "" (David R. Godine, 1978) treats the wise men less as fools than as an "echt Chelm" of true scholars who in their narrow specialized knowledge are nonetheless knowledgeable but lacking sense. The poetry of Chelmaxioms is supposedly the discovered lost manuscripts of the wise men of Chelm.
Here are a few examples of a Chełm tale:
In his subsequent wanderings throughout Ukraine, he became a familiar figure at restaurants and inns.
Eventually he settled down at the court of Rabbi Boruch of Medzhybizh, grandson of the Baal Shem Tov. The rabbi was plagued by frequent depressions, and Hershele served as a sort of court jester, mocking the rabbi and his cronies, to the delight of the common folk.
After his death he was remembered in a series of pamphlets recording his tales and witty remarks.
He was the subject of several epic poems, a novel, a comedy performed in 1930 by the Vilna Troupe, and a U.S. television programme in the 1950s. Two illustrated children's books, The Adventures of Hershel of Ostropol, and Hershel and the Hanukkah Goblins, have been published. Both books were written by Eric Kimmel and illustrated by Trina Schart Hyman. In 2002, a play entitled Hershele the Storyteller was performed in New York City. He is also the protagonist in a new series of comics for children with the titles The Adventures of Hershele, Hershele Rescues the Captives, Hershele and the Treasure in Yerushalayim, Hershele makes the Grade, and Hershele Discovers America.
Or, on a similar note:
And another example, a direct slice of galgenhumor (Black comedy):
This one combines accusations of the lack of patriotism, and avarice:
Or, on differences between Orthodox Judaism, Conservative and Reform Judaism movements:
In particular, Reform Jews may be lampooned for their rejection of traditional Jewish beliefs. An example, from one of Woody Allen's early stand-up routines:
Jokes have been made about the shifting of gender roles (in the more traditional Orthodox movement, women marry at a young age and have many children, while the more liberal Conservative and Reform movements make gender roles more egalitarian, even ordaining women as ). The Reconstructionist movement was the first to ordain , all of which leads to this joke:
The following joke refers to Jewish congregational rivalry and splitting. House Divided, Tablet Magazine, May 03, 2011
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Or, about traditional roles of men and women in Jewish families:
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Or, on kvetching (complaining),
A version of the following joke is quoted in Born To Kvetch: Yiddish Language and Culture in All Its Moods, by Michael Wex:
Wex comments:
"It contains virtually every important element of the Yiddish-speaking mind-set in easily accessible form: the constant tension between the Jewish and the non-Jewish; the faux naivete that allows the old man to pretend that he isn't disturbing anyone; the deflation of the other passenger's hopes, the disappointment of all his expectations after he has watered the Jew; and most importantly of all, the underlying assumption, the fundamental idea that kvetching—complaining—is not only a pastime, not only a response to adverse or imperfect circumstance, but a way of life that has nothing to do with the fulfillment or frustration of desire."
Or, in the last years of the Soviet Union:
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Israelis' view of themselves:
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